/Posted 1 day ago
70
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(9x18) ….Nope

(9x18) ….Nope

(Source: nile-kun, via tikistitch)

/Posted 1 day ago
1492
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confectionerybliss:

Easy Garlic Parmesan Knots | Damn Delicious
/Posted 2 days ago
3289
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dosageofdisney:

STITCH IS SO CUTE! I WANT ONE!!

dosageofdisney:

STITCH IS SO CUTE! I WANT ONE!!

(Source: welcome-stitch, via katiebug445)

/Posted 4 days ago
1908
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/Posted 4 days ago
11243
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defiant-wholock-inthewarehouse:

realvaguehobbit:

suavebadass:

eventualprocrastination:

clintcoleson:

superhusbandsaddict:

myspanglyoutfit:

Tony gets his own frame.

Like a Boss

It’s because he’s Tony Stark.

That’s okay. Bruce decides he wants to be in two frames. Like a Hulk.

reblogging this again because look at how Natasha and Clint fuckin’ strut and own that frame hell yeah

Steve just kind of wandering around

omg I didn’t even think to click on them before now just do it

(via foxy-stilinski)

/Posted 4 days ago
113292
.

 

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

(via sylphoflesscalories)

/Posted 5 days ago
226583
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/Posted 5 days ago
6029
.

 

speedmobile:

Love this series

speedmobile:

Love this series

(via enkiz)

/Posted 5 days ago
36
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(Source: urasawa, via tenkaichibudokai)

/Posted 6 days ago
152
.